These tourist hot spots are introducing entry fees and price hikes for 2024 кракен даркнет
In travel news this week: Vacation love stories that began and ended in Paris or London, aviation misadventures in Thailand and China, plus a look at why prices are rising as tourist numbers increase.
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More and more tourist hot spots are introducing visitor caps and entry fees to prevent overcrowding - and, whaddya know, it gives their coffers a little boost, too.
There’s a new $13 charge for climbing Japan’s famous (and congested) Mount Fuji, which follows Japan’s 70% price hike for tourist rail passes. The weak yen, however, still makes this a good time for international visitors to make that bucket-list trip.
If you want to see the ornate – and exceedingly popular – Plaza de Espana square in Seville, Spain, expect to soon pony up an entry free. The Louvre art museum in Paris, home to the Mona Lisa, has raised ticket prices by almost a third, ahead of the Paris Olympics this summer.
It’s not just Europe and Asia, either. Walt Disney World Resort in Florida has already introduced higher park ticket prices for next year. Some of the lowest single-day, single-park ticket prices have gone up by $10 for 2025.
Love and loss in London and Paris
Way back in 1984, an Italian teenager arranged a date with a guy she met on a plane to London – but he was a no-show when she waited in Trafalgar Square the next day. Her eyes then fell on an American boy sitting between the bronze lions while reading “Romeo and Juliet.” The stars aligned - he was her future husband.
It was a different story for a Londoner in 2011 who made her first trip to Paris with her boyfriend. Her heart was broken under the Eiffel Tower, but then a decade later, she moved on from that – it was time to write her own ending.
Inter Milan player Francesco Acerbi leaves Italy squad after allegations he used racist language kraken
Inter Milan defender Francesco Acerbi has left the Italian national squad ahead of its two upcoming friendlies after he was accused of using racially charged language towards Napoli player Juan Jesus during a game on Sunday.
The alleged incident occurred during the second half of Inter Milan’s 1-1 draw with Napoli in Serie A, Italy’s top-flight league. Video footage shows Brazilian Jesus complaining to the referee and pointing at someone, before the official calls Acerbi over.
In an Instagram post Monday, Jesus accused his opponent of calling him “Black” in a derogatory fashion, but Acerbi has since denied using any racist language. The Inter Milan defender was not punished during the game.
Acerbi, who has played 34 times for Italy, had initially arrived at the national team’s training camp in Rome on Monday before the squad flew to the US on Tuesday, where it’s set to face Venezuela and Ecuador.
A statement from the Italian Football Federation (FIGC) said that Acerbi had spoken to national team manager Luciano Spalletti and his teammates to explain his version of events, and while the defender argued there was no “defamatory, denigrating or racist intent on his part,” it was agreed he should be left out of the squad “in order to let things settle for the national team and the player himself.”
The defender was replaced by Gianluca Mancini in Italy’s squad.
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Diamonds are forever – especially for Emily Ratajkowski, who has chosen to turn her engagement ring into something entirely new following her split from her film producer husband, Sebastian Bear-McClard.
With the help of Alison Chemla, creative director of jewelry brand Alison Lou, Ratajkowski worked to remake her old engagement ring, which featured a pear-shaped and a princess-cut diamond, into two separate rings.
“The rings represent my own personal evolution,” the model told Vogue. “I don’t think a woman should be stripped of her diamonds just because she’s losing a man.”
Now, the pear-shaped diamond sits on Ratajkowski’s pinkie finger, while the princess cut has been flanked by more trapezoid stones and turned into a new sparkler.
Ratajkowski went on to explain that she got the idea after reading Stephanie Danler’s story “The Unravelers” in The Paris Review.
